Materiality - Tayla Greene
Works in progress, Review materials, project work, open forum, critical review, upload area, test bed.
Tuesday, 9 June 2015
Goodluck for everyone tomorrow. Though from everything I've seen in class, you guy's won't need it!
These are some stills from when I was editing. I've decided against using text though as it forces a meaning that's already heavily implied. And I was struggling to find words to put on there, meaning that they probably weren't very necessary in the first place. The last ones with 'don't go' were a impulse choice to bring back some personal meaning about my father moving away and how that was directly linked to that part of the video. But I think again, there is already implied familial emotion.
My work is going to be projected in a corner with the video on two separate projectors. They're both level to the floor and I think it's a really immersive view. Especially the first clip of the pool.
Works from the MDPA were really inspiring as digital portraits were what I had been planning all along. This one especially http://www.portrait.gov.au/files/3/c/e/a/v123.mp4 I think because of how comedic it was, and how different it was to any portrait I had ever seen.
I thought about bringing objects from that appear in the background of the segments and having them on the floor, to bring physical materiality into it. But as my work is about memories which are more ethereal and non-physical, bringing in physical objects would make it seem like the experiences and memories are re-creatable and not already passed.
These are some stills from when I was editing. I've decided against using text though as it forces a meaning that's already heavily implied. And I was struggling to find words to put on there, meaning that they probably weren't very necessary in the first place. The last ones with 'don't go' were a impulse choice to bring back some personal meaning about my father moving away and how that was directly linked to that part of the video. But I think again, there is already implied familial emotion.
My work is going to be projected in a corner with the video on two separate projectors. They're both level to the floor and I think it's a really immersive view. Especially the first clip of the pool.
Works from the MDPA were really inspiring as digital portraits were what I had been planning all along. This one especially http://www.portrait.gov.au/files/3/c/e/a/v123.mp4 I think because of how comedic it was, and how different it was to any portrait I had ever seen.
I thought about bringing objects from that appear in the background of the segments and having them on the floor, to bring physical materiality into it. But as my work is about memories which are more ethereal and non-physical, bringing in physical objects would make it seem like the experiences and memories are re-creatable and not already passed.
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