Today
I've been researching by listening to
Bogong Sound (Phillip Samartzis) recordings of industrial sounds such
as "Concrete Path And Electric
Station" and sounds from the Aurora Australia as it made the
journey to Antarctica such as "At
The End of The Night". The site Liquid
Architecture online artworks gave me some ideas of how to present the
sounds embedded with print, especially, Madelynne Cornish, "Surface Noise" www.liquidarchitecture.org.au/surface-noise/
and the work "Remember Me:What
Remains" http://www.liquidarchitecture.org.au/remember-me-what-remains/
where links to sounds are embedded with maps. I tried with a word
document but it looks a bit clunky, so needs more research. “Remember Me: What Remains” sparked a few
experiments with censoring recordings of the wind with the alarm that
I recorded. My thoughts had run along the lines of conservation
and the suppression of nature by industrial sounds. I think this is something I
may continue to explore, the overlay of mechanization and nature, or the
overlay of different histories in a space which is probably more on the lines of
my work. I trialed the mixing of sound recordings with interviews that I
sourced. I wanted to pilot this as my work could utilize oral history
recordings coupled with photos and prints I have created.
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